Yes, VOA features the “A” selection of tracks from those 2012 Salvador da Bahia sessions. What really interests me is an open-ended, productive dialogue with content creators who might not see the connection between them and my music at first – that’s the best motivation for me to convince them to give it a try.ĭid you record all of their parts while in Salvador da Bahia, and was it all in one trip? How often do you get to go out to South America, and would you consider moving there? Or is Berlin too much of a home for you?įirst of all, this record was more than a year in the making.

Why has this become a focus of your work lately, and when did you first get into South American music?įull disclosure: I was never particularly into South American music and I probably never will be – but this was one of my greatest assets going into this project. And I think some of the risks we took here in this micro culture clash were rewarded by some pretty unique, emotionally intense results.Īs with Calidostópia, you’re collaborating with South American singers and musicians. You see, “working with South American musicians” is not just a lazy bullet point, it can be a huge canvas for genuinely new music, and also for risk-taking. Plus, you are getting 18 wonderful, outstanding songs here. I am selling VOA because a “proper record”, happening in a real-world economy, will acknowledge and encourage the fantastic work of these young musicians just a little more effectively. Your last album, Calidostópia, was released for free, did you consider doing the same with this record? And together with the tireless, sensitive guidance of director Darko Dragičević and a fantastic performance of the entire team, I think we have created a visual piece that has the power to poke your soul. And I am very happy that the video features the amazing performances of actresses Ursula Doll and Daniela Lucato, who took on that challenge. However, the tracks to which the resulting, finished clip would ultimately be paired with were not part of that playlist – to avoid typical “music video”-esque results. In order to encourage an intense delivery by the actors, I was planning to present them with a selection of short, highly emotional Oval themes and have those “acted out” as short vignettes. I was always curious to see my music “interpreted” by acting as opposed to, say, contemporary dance.

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